I Hear You and I'd Like to Respond
A circus of words, a flight to nowhere.

A circus of words, a flight to nowhere, a desperate attempt to make meaning in an unrelentingly confusing world. I Hear You and I'd Like to Respond explores the lengths we'll go to change our language rather than change ourselves.
Artists and audiences board a metaphysical flight, traveling together to a visionary place of collective imagining. A Professor and a Facilitator, both on the precipice of revelation, try in their own ways to explain the world around them, only to realize that what they're trying to communicate is nearly impossible for others to understand. But as the passengers' bodies are thrown into acrobatic flight, a certain truth is revealed: either we put aside our differences and save each other, or we fall.
With breathtaking ensemble and hand-to-hand acrobatics, captivating movement, earnest contemplations of how to do better, and a relentless soundtrack of words, performed by Almanac's largest-ever ensemble.
Seeing a person launched high into a mid-air flip, you hold your breath.Eileen B. Fisher, Broad Street Review
Production photos






Credits
Created and performed by Nathan Alford-Tate, Liam Bradley, Kevin Flanagan, Lauren Johns, Rhonda Moore, Sierra Rhoades-Nicholls, Darren Rabinowitz, and Mae West
Created and directed by Ben Grinberg
Stage managed by Katharine Hanley
Understudy, sound design, and additional material by Emi Luz
Additional material by MK Korbisch, Ed Roth, Ella-Gabriel Mason, Jasiri Minors, Madeline Shuron, and Aidan O'Shea
Artistic consultants: Adam Kerbel, Aidan O'Shea, and Nick Jonczak
Production design by Ben Grinberg and the ensemble
Lighting plot designed by Amanda Jensen
Sound consultant: Kevin P. Keenan
